Here, he modified his writing style significantly to suit his audience. A few years later, Agha Hashr travelled to Kolkata from Mumbai, and joined Madan Theatres as one of their reputed playwrights. Wherever the Alfred Theatre company travelled, this last became an essential part of their repertoire.
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He continued to pen plays like Sar-e-Steen and Meethi Chhnuri over the next few years, but it was with Aseer-e-Hars that he gained acclaim across the subcontinent. His first play for the company was an adaptation of Shakespeare’s A Winter’s Tale, titled Mureed-e-Shak. Soon, he started writing plays under the pseudonym Hashr Kashmiri. Armed with his personable physique and his clear pronounciation, Agha secured work as a playwright at the company. By the age of 22, he could hold himself in no longer, and found himself on the doorstep of Alfred Theatres in Mumbai the same year. He delved deep into whatever plays he could find in all of these languages, while continuing to practice his own skills. Taught Arabic, Farsi and Urdu at home, and Hindi and English at the Jainarayan High School in Varanasi, Agha was proficient in many languages. This first attempt was dismissed by the Company, but the young Agha was not easily discouraged. He became so involved in his love for the theatre that he soon composed a play and sent it for review to the Alfred Theatre Company. From his very first exposure to the charms of Parsi theatre, Agha was enchanted. When he was 17 years old, he first encountered one of the finest travelling theatre companies of the time, Alfred Theatres, which specialised in Parsi theatre.Īt a time before the advent of the cinematic medium, Parsi theatre was one of the most popular forms of public entertainment. Born on 3 April, 1879, Agha was christened Sayyad Mohammad Shah Agha at birth. Gani Shah Agha, his father, a businessman whose main product was shawls, moved from Srinagar to Varanasi before Agha was born.
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A pioneer of his time, Agha Hashr Kashmiri introduced a mode of screenwriting that continued to be the dominant template for film-writers in Indian cinema for years to come. Agha Hashr Kashmiri’s name finds mention among revered names like Dadasaheb Phalke and Ardeshir Irani as one of those who laid the foundations for Indian cinema.